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As a musician that's what it's about", as lead singer Nai Palm put it. There's been so much support from the community of musicians locally and internationally. "Questlove and Erykah Badu have gone out of their way to promote the band. Stereogum singled out Hiatus Kaiyote as a "Band to Watch." Gilles Peterson named them the Breakthrough Artist of 2013. Each song whispers of delicious, ancient stories untold. On the band's debut album Tawk Tomahawk (2012) it's as if the vast desert landscape has opened up, borrowing ingredients from far-reaching lands to concoct a distinctive flavor that is the essence of all its parts. Stevie Wonder, Otis Redding, Tupac Shakur, Flying Lotus, traditional flamenco and music from Mali and Colombia have influenced the group. Hiatus Kaiyote has a style that can't be easily pinpointed. The music of Hiatus Kaiyote strikes the perfect note merging poetry and polyrhythms.
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Every so often a band comes along that captures the collective imagination, a band that has all the essential elements in place to become a musical movement. Frankly, I’m excited to see how this HK evolves, and will most certainly be picking up their next album.Hiatus Kaiyote is the sound of serendipity.
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Tawk Tomahawk is a quite solid first album that, though not without its faults, may simply be a new band testing the waters for the first time. Hiatus Kaiyote have come together to create some very interesting music here. These are minor concerns though, and don’t really diminish the overall quality of the album. Though not particularly bothersome, they feel more like afterthoughts than completed compositions. Tawk Tomahawk also contains quite a bit of short filler songs. These moments are what really separate Hiatus Kaiyote from being just another generic poppy soul band, but coming from such obvious talent, I can’t help feeling like they played it just a little too safe on their debut album. “Malika” is a great example of HK’s unique style, a well-executed number that peppers layers of electronic effects over a solid polyrhythmic groove, complementing Palm’s vocals to great effect. This sidesteps the potential catastrophe of the frontman overwhelming the band and allows the listener to explore the twists and turns of Kaiyote’s meticulously layered instrumental soundscape undistracted.Īnd the instrumentals really are quite nice Hiatus Kaiyote are masters of laying down a consistent groove but aren’t afraid to experiment either you can hear them throwing in dissonant chords that resolve into cascades of melody, or laying an edgy hip-hop beat over lounge piano.
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Nai Palm, the singer and proud owner of some of the strongest pipes this side of the Pacific, never hesitates to assume her rightful place at the fore of the musical front while being equally comfortable taking a backseat to the music when appropriate. Though not revolutionary in any sense of the word (in fact much of their music can be attributed to very obvious influences), HK are able to pull off this eclectic mix of genres without ever sounding forced. Their 2012 debut LP Tawk Tomahawk seamlessly blends earth-shaking soul, hip-hop sensibilities, and the warm flow and glow of smooth jazz into thirty minutes of the most organic music I’ve heard in a long time. But for reasons unknown, the Australian quartet has remained relatively obscure, spending the past two years carving out a humble but cozy niche for itself in the underground scene of the band’s home continent. Hiatus Kaiyote is one of those hidden gems that, upon first listen, feel like a band you and everyone else should already know and love. Review Summary: "I will follow you into the sunrise under desert skies"